Sanctorius biography of michaels lee

Despite his contributions as a session musician and his collaborations with legends like Jimi Hendrix, Michaels downplays his role in session work, feeling those musicians are far more accomplished. His newest podcast brims with unfiltered stories, a barrage of hyperactive tales and vivid memories, offering a refreshing break from the somber, serious drivel that plagues the airwaves.

Lee Michaels: We wanted to promote a movie that we had just finished making and decided to start a podcast to promote the movie. How do you and your co-host Dylan Skye decide on the topics to discuss in each episode? We just talk about stuff and decide. I have a bunch of stories—boxing stories, music stories, stories of Venice, stories of my street.

What has been the most surprising or unexpected aspect of hosting a podcast for you so far? It takes up a lot of time. Reflecting on your time in the San Francisco music scene in the late s, what were some of the most memorable moments or experiences for you? Just being there—the whole thing was memorable.

They became universal figures capable of dealing with problems from metaphysics to principles of theoreti- cal mechanics, from shipbuilding to.

Every week, someone incredible was playing at the Fillmore or the Avalon Ballroom, and it was hard to decide which one to go to. What was most memorable was just being there to see all of those incredible bands. Can you share any behind-the-scenes stories or inspirations behind the song? With your music being a staple on classic rock stations, how do you feel about your songs continuing to resonate with audiences after all these years?

How did you transition from music into these different fields? They were just acts of desperation and curiosity.