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To learn more, view our Privacy Policy. To browse Academia. This collection of works references various literary analyses and critiques focusing primarily on American poets and their relation to identity, ethics, and socio-political themes. The included papers discuss authors ranging from Emily Dickinson to Walt Whitman and examine the intersections of gender, morality, and historical context in their writings.

It contributes to the discourse on American literature by situating these poets within broader cultural narratives and exploring their responses to societal issues. This study argues that Emily Dickinson pioneered many of what would later become signature techniques of modernist American poetry - a fact that calls many common definitions and historical accounts of modernist American poetry into question.

Based on that comparison, I explore the relationship to language, particularly authoritative language, that underlies many modernist poetic techniques, and argue that both the similarities and differences of modernist American poets can be understood as representing various combinations of what Bakhtin called centripetal and centrifugal forces.

This document will continue to evolve as the IR expands. Additional guidelines will be drafted, as needed, over the coming months.

I do interdisciplinary work across literary theory, poetcs, religion, philosophy, Jewish thought.

Recognizing that conventional language limited her thought and writing, Dickinson created new poetic forms to pursue the moral and intellectual issues that mattered most to her. This collection situates Dickinson within the rapidly evolving intellectual culture of her time and explores the degree to which her groundbreaking poetry anticipated trends in twentieth-century thought.

Essays aim to clarify the ideas at stake in Dickinson's poems by reading them in the context of one or more relevant philosophers, including near-contemporaries such as Nietzsche, Kierkegaard, and Hegel, and later philosophers whose methods are implied in her poetry, including Levinas, Sartre, and Heidegger. The Dickinson who emerges is a curious, open-minded interpreter of how human beings make sense of the worldone for whom poetry is a component of a lifelong philosophical project.

Her poems deconstruct and subvert land divisions, furrowing in the ground in the subterranean corridors of the mines and the pipes of menacing volcanoes , and undermine the notion of ownership by emphasizing the transience of natural phenomena. For Emily Dickinson, he represents a chosen legacy: he is the self-appointed master, a choice that places Dickinson in a long line of women writers like Woolf or H.

Between descent and dissent, Emily Dickinson fashions a new mode of writing the land and the self as being intrinsically ajar, building itself between its ties to a colonial past and a westward-expanding future.