Biography frank sinatra youtube song is you

Frank Sinatra was, in many ways, the consummate entertainer. He seemed genetically engineered to be a celebrity. Possessing an impeccable voice, magnetic good looks, and irrepressible charm, he was also an acclaimed film actor whose affiliations with politicians on both the left and later the right incited both approval and ire. There were also multiple marriages and, lest we forget, alleged ties to organized crime.

But what jazz writer and historian Will Friedwald originally published in offered a refreshing take on the Sinatra legend — a book about Sinatra the vocalist, concentrating on the music and nothing but the music.

You", composed by Jerome Kern, with lyrics by Oscar Hammerstein II, was written for their musical, Music in the Air in Frank Sinatra.

There are no salacious tales of love affairs or failed marriages, no true crime-style anecdotes of backroom cosa nostra lore, no accounts of film studio wheeling and dealing. Countless collaborators, musicians, arrangers and Sinatra himself were interviewed for the book, offering insight to the Sinatra sound and who and what was involved in its success.

Nearly a quarter-century has passed since the book was published, and — most notably, Sinatra himself died in While Sinatra was essentially inactive during the three years between the initial publication of this book and his death, Friedwald saw fit to update and revise the book for a version Chicago Review Press. As a result, more than pages of new information has been added, including a comprehensive discography, a slew of rare photos — which, true to form, focus on recording sessions and live performances, as opposed to glitzy film premieres and awards shows — and both a new introduction from Friedwald and a new foreword from Tony Bennett.

But how else do you write about an artist whose art involves a wealth of superlatives? Building on the crooning style of his idol, Bing Crosby, Sinatra helped establish a more nuanced vocal style, and one that inspired countless singers to this day. His ability to juggle a variety of styles with little to no stumbling is also noteworthy.

Friedwald picks apart these projects and also offers plenty of music theory that might intimidate the casual fan. But make no mistake: this is a deep-dish exploration with no attempt to disguise it as anything else.